Nature is Not your Friend- a consideration
Christin Couture
William Hosie

A 'pecha kucha' slide presentation
Hillside Salon, May 2010
University Museum of Contemporary Art
University of Massachusetts, Amherst

Essay



 

1.

This exhibit considers Nature, both Human Nature and the Natural World.

 It is a broad selection of my painting – some recent, some older,

and some unresolved, that have undergone ‘interventions’ by WH

 

 

 

 

2.

Like an invasive species these ‘interventions’ migrated onto paintings

as strategic color components and shapes.

We are opposites held together like magnetic poles in check.

This frisson can produce wonderfully unexpected results.

 

We share a large studio. Things happen

 

 

 

3.

The gallery space itself becomes part of the exhibition.

It’s a former Esty organ showroom- and still has the original niches,

cubicles and walls at odd angles- like an accordion.

 

Paintings and objects are placed according to a rhythm

So the eye travels across the space high and low and in between.

 

 

  

 

4.

My work often favors the arcane as a ‘remove in time’ to emphasize

Through the ‘Romantic’ what could be lost or transformed.

 

For me children embody both innocence & vulnerability

 and also destruction & willfulness (the bad seed).

 

 

 

 

 

5.

The ‘interventions’ can also re-order forms and images.

Like a hurricane or tornado

Topsy turvy

 

 

 




6.

The flow and paced disclosure become like an elaborate 3d story board-

 a shifting cinematic conduit out of frame.

 

 

(note a copy of Natural History Magazine underneath the leaning pedestal)

 

 

7.

Light has crossed the threshold

as cats roam across the rooftop.

Immanence Prevails.

 

 

 


8.

 

Color coded directives, especially opposites like red and green,

 bring about a state or atmosphere of movement and change, or even indecision

 - arrest and release- like highway signs and traffic lights.

(as Miguel Pinero said: “words stoppin’on red/, goin’ on green”)

 

 

 


9.

 

The world here becomes a kind of no man’s land

at the mercy of invasive signage, bar codes, overt directives,

undercurrents, atmospheres, thermometers, sticker tags and more

 

……even the idols of heathens.

 

 

 

 

10.

 A Continuity of Parks with a red rope barring entry.

 

 

 

11.

The Tiki gods appear

along with a painted sketch of our backyard garden,

 that also includes Masaccio’s figures of Adam and Eve

being expelled.  (very small in right hand corner)

 

 

 

 

12.

 Nature out of balance.

 I think Icebergs are sublime, scary,

 mysterious, beautiful forms.

They seem frozen in time but are ever changing.

What you see above is more treacherous down below.

(Beware of appearances.)

 

 

 

13.

 

 

 

14.

 

Color splitting apart 2 paintings

 and joining them together like a mirror.

 

 

 

15.

 

The twins…one good and one evil, bound together.

Who will get to sit on the chair?

 

 

 

 

 

 

16.

 

Color and shape consider and adapt to the original.

The elements may seem discordant but the whole has unity, intensity.

Welcome.

 

 

 

 

 

17.

Children engage their impulses and undercurrents from within

as they occupy an uncertain environment outside.

Color coding works from both within and without

 

 

In this case Nature is really NOT your Friend



 

18.

 Should Nature be seen as a package?

 

 

19.

 

Coming almost full circle…..

 Two finished landscapes of our backyard,

and two large red dots next to them.

People ask: – “does that mean the paintings are sold?”

 

(Or maybe Nature is up for sale?)

 

 

20.

“TELL ALL THE TRUTH

BUT TELL IT SLANT”

said Emily Dickinson

 

Fair Enough.

 

 


 

Tell all the Truth but tell it slant

Success in Circuit lies
Too bright for our infirm Delight
The Truth's superb surprise

As Lightning to the Children eased
With explanation kind
The Truth must dazzle gradually
Or every man be blind—

 

— Emily Dickinson